After last month’s extravaganza there are fewer events in April and May, but there’s still plenty going on. I’ve organised events and exhibitions by country, running roughly north to south. If I’ve missed out anything, drop me a comment! I haven’t had the chance to see many of these exhibitions; if you have a response to or review of one, let me know. Follow me on Twitter for more up-to-date news.
On 24 April a walk in Aberdeen celebrates 100 years of Suffrage. V&A Dundee is hosting a talk with the artist behind Rules of Play, also on 24 April. The pastel landscapes of Margaret Evans are on display from May, with a talk by the artist on 4 May.
In Glasgow, there’s a talk on 29 May on explorer and botanist Isobel Wylie Hutchison. It’s the final month of the photographer Margaret Tait’s exhibition, while Textiles and Activism continues at the Women’s Library; the finalists of the Women’s Hour craft prize are also on display. Bara Bara Bara, an immersive installation by Pia Camil, is her first solo exhibition in Scotland.
Three female artists are on display in Thornhill, and there’s an exhibition of textile art at the Wetlands centre in Dumfriesshire.
In Leeds, Fifty Works by Fifty Women Artists and Helen Beard’s ceramics are on display from mid-April, while exhibitions of the colourful prints of Lucy Ketchin and the mineral biography of Ilana Halperin both finish in May. There’s a talk on Magdalene Odundo’s exhibition at the Hepworth in Wakefield on 4 May. Kimsooja’s installation at Yorkshire Sculpture Park (pictured left) is now open. The final part of The Grief Series features artists from both Yorkshire and Mexico City to explore loss, with a number of events in early May.
In Manchester, contemporary artists the Singh Twins feature in the exhibition for the centenary of the Jallianwala Bagh massacre. The People’s History Museum is hosting Remembering Resistance on 27 April, celebrating a century of women’s protest, and a talk on the gender politics of Hilma af Klint’s art is on 1 May. There’s a panel discussion on 18 April of Facing Out, the exhibition of Lucy Burscough’s portraits of facial cancer, and an audio-described tour on 14 May; Zoë Law’s photographs of cancer patients are also on exhibition from mid-May.
Recollecting, the exhibition by multimedia collage artist Sylvie Franquet, is now open in Nottingham, alongside the work of jeweller Romilly Saumarez Smith (who’s giving a talk on 31 May). At Nottingham Contemporary, Elizabeth Price’s video installation FELT TIP finishes this month, to be followed by the retrospective of filmmaker Liz Rhodes, Dissident Lines. In Leicester, Emii Alrai’s installation House of Teeming Cattle explores forms of personal and historical identity between the Middle East and Britain.
In Birmingham, Too Cute! by Rachel Maclean finishes in May. There’s a talk on the famous statue of Queen Victoria on 24 May, and a tour of women’s work in the jewellery quarter on 25 May. The exhibition on photographer Nyema Droma continues at the Pitt Rivers, Oxford, with an evening of talks on 27 April. The woodcuts of Naoko Matsubara are now on display at the Ashmolean.
In Norwich, the sculptures of Lynn Chadwick are on display from mid-May. The quiet landscapes of Jo Tunmer are on display in Cambridge from May.
It’s the final month of the photographer Diane Arbus’ exhibition. Mali Morris’ works on paper are on exhibition at the Royal Academy, with a talk on 9 May. A major exhibition of the designer Mary Quant (pictured right) is now open at the V&A, with a subtitled talk on 17 May. Lili Dujourie looks at the way nature inspires her poetry and art in Ballade until late May. Hito Steyerl’s exhibition at the Serpentine is now open, exploring the digital world, art and capitalism.
Further out from the centre, Haegue Yang is giving a talk to accompany her exhibition at Dulwich Picture Gallery on 15 May. In Richmond, The M Word explores the link between pregnancy, creativity and mental health for a fortnight in early May.
Both Anna Boghiguian and Amie Siegel’s exhibitions at Tate St Ives are finishing this month. In Newlyn, Magda Stawarska-Beavan, Rebecca Chesney and Lubaina Himid “consider the poetic investigation of place, space and time” in Invisible Narratives, while the prints of Shelly Tregoning explore “physicality and the interpretation of human gesture”.
I am fully committed to The F-Word’s position on inclusivity and access. Though nothing has emerged from my brief research in compiling this post, if any of the artists or institutions above hold views in contrast to this please let me know.