The editorship of The F-Word has been rotated between our editorial team since 2013. The editorship is currently being shared by Lissy Lovett and Jenny Williamson and their term started in January 2022. The previous rotating editors have been Genevieve Richardson, Lusana Taylor, Lissy Lovett, Joanna Whitehead, Holly Combe, Ania Ostrowska, Megan Stodel and Helen G. To read about the history of the site before 2013, please see this post from previous editor Jess McCabe, along with this one from site founder Catherine Redfern.
Jenny has been a feminist since the moment a savvy teacher pressed a copy of Eve Was Framed into her teenage hands. Today, having just about recovered from a decade-long professional detour into accountancy, she’s a freelance writer, editor and proofreader. Her idea of a cracking Friday night is a cinematic double-bill of a Ruth Bader Ginsburg documentary and The Princess Bride.
Genevieve Richardson works in Parliament and does freelance writing on the side. Her enthusiasm for feminism was firmly cemented during her master’s degree in Development Studies. There, she also set up a feminist book club and ran sexual consent workshops for new graduate students. She was the features editor from 2018 – 2020 and the rotating editor from 2020 – 2022.
Alessia Galatini is a London-based writer, screenwriter and film critic. She has a slightly unhealthy obsession for fictional characters and TV shows (that’s how she learnt about most things in life really). She believes in the power of media to shape the way we see the world. She has a soft spot for mythology, LGBT love stories and characters that raise issues of gender and identity. Some of her favourite creative minds include Margaret Atwood, Jeanette Winterson, Jordan Peele, Diablo Cody, Angela Robinson and Shonda Rhimes.
She has a BA in Creative Writing and an MA in Screenwriting from London College of Communication. She also really likes penguins. You can follow her on Instagram @alessiagalatini.
Jess edited The F-Word from February 2007 to May 2013. You might still see her name pop up on the site, if she gets herself together to write the occasional blog post, feature or review.
Jess makes a living as a reporter, currently covering a beat that includes social housing and environmental issues. She lives in South London with one bloke and two gigantic cats. Find her on Twitter @jester, or on Tumblr.
Holly Combe has been a feminist for as long as she can remember but became active when she joined Feminists Against Censorship (FAC). She started reading and contributing to The F-Word in 2002 after receiving an e-mail about the site in a Yahoo group she took part in at the time. She joined the blog in 2005, which led to her being part of the blogging collective that emerged in 2008 to help run the site. She also has The F-Word to thank for kickstarting her editing career: this began back in 2011, when she became co-editor of the music section with Cazz Blase (a role she briefly held on her own in 2013 and then shared with Joanna Whitehead until 2015). She went on to take over from Mathilda Gregory as the sole editor of the TV section in 2013, continuing until 2016, when she took on the position of rotating editor for a year.
Holly has had writing published in a number of other outlets including Yahoo!, STUDIO magazine, Economic Issues, Scarlet magazine, The Guardian, The Fresh Outlook, The New Statesman, Bookslut, Girlchick and The Oxford Mail. She mainly works as a copy editor, but you can sometimes catch her taking part in radio debates or DJ’ing. She has a degree in Performance Writing and an MA in Applied Social Research.
Catherine Redfern founded The F-Word and was editor from 2001-2007. She is from Tameside, Manchester and has been living in London for about ten years, much to her parents’ annoyance. She is co-author, with Kristin Aune, of Reclaiming The F Word: The New Feminist Movement, a book about the resurgence and reclamation of feminism over the last ten years, today’s issues and today’s feminist activism.
Polish-British post-communist feminist, Ania Ostrowska moved to London in 2005 and has been involved with The F-Word since 2011. She was a Film (and sometimes TV) Editor (2011-2019), the blog’s Rotating Editor 2015/16 and is currently providing editorial help and occasionally blogging about women in film.
With her fingers in too many pies, she also has a PhD in Film from University of Southampton (having researched contemporary women documentarians working in the UK) and works as a freelance film journalist and programmer. Find her on Twitter (representing herself only) @ostrutka.
Alice is currently in Oxford doing a PhD on images of Amazon women in ancient art, but home is always London. She cares strongly about promoting the work of women artists and reconsidering the history of art from a female perspective, as well as boosting women’s voices in history more generally; she’s been co-producing the podcast Women in Oxford’s History since the summer of 2017. She’s especially interested in the important depths that intersectionality brings to all of these discussions and considers it a key aspect of modern feminism.
Otherwise she’s a huge sci-fi and fantasy nerd who lives in her local cinema, loves taking cat photos, playing videogames and making geeky embroidery. She’s on twitter @aliceeparkin.
Fliss was introduced to the concept of feminism through raiding her mum’s bookshelf for non-fiction as a precocious 10-year-old. She follows an intersectional approach that focuses on social justice and equity for all.
By day she works in comms for a large national charity, by night she reads, watches trash TV with her flatmate and continues her ongoing struggle to finish all the crafting projects she’s started. You can follow her on Twitter at @FAAlmaWrites.
Kathryn Creith is an aspiring journalist in the world of news and politics. Originally from Northern Ireland, she has recently moved to London and is enjoying navigating the city life. Her favourite female writers include Maya Angelou and Chimamanda Ngozi Adichie.
Originally from Manchester, Leah lives in London and worked as a literature programmer before joining a human rights charity that supports writers and artists. She occasionally writes fiction and likes to read books written by women.
Cleo Hopkin-King is a linguistics graduate with an avid interest in the intersection between language, gender and sexuality. She also enjoys reading psychological thrillers, roller skating, and being a mum to three rats.
Connie is an MA Communications and Media graduate and aspiring journalist with particular interested in politics, sex positivity and digital feminism. In her spare time she enjoys life drawing and adding to her bookshelf, and has a particular love for authors Sara Baume, Chimamanda Ngozi Adichie and Bernardine Evaristo.
Freya is an aspiring creative non-fiction writer who currently works in Comms and Fundraising at Oxford University. Her favourite writers include Toni Morrison, Angela Carter, Roxane Gay and Isabel Allende.
Freya’s political awakening began with the 2010 student protests against tuition fee increases in the UK and grew throughout her university studies, where she developed a special interest in Latin American history and politics. She enjoys learning languages, cooking and dancing flamenco in her spare time. Find her on Instagram and Twitter @freypaulucci.