Where has January gone? I have just about saved my blushes by posting this in the nick of time but it was a close-run thing!
I’m a huge fan of the RSC for lots of reasons but this month I am slightly scratching my head that it’s announcing “its first full-length Shakespeare play to feature a gender-balanced cast”. It’s 2018 and Sarah Bernhardt played Hamlet in 1899; has it really taken them this long? And I’m guessing it means that the rest of their season won’t be “gender-balanced” but this is apparently still unremarkable.
The Royal Court however continue to do an amazing job. They’re currently on a four-week secondary schools tour with Cuttin’ It which tackles the urgent issue of Female Genital Mutilation in the UK. Each schools visit will involve a pre-show workshop followed by a post-show Q&A with the pupils led by Young Court. They have worked with the organisation Solace Women’s Aid for training sessions on FGM and have also been supported by Louise Williams, Clinical Nurse Specialist at the women’s division of University College Hospital, in order to fully prepare for the workshops.
US comedian, author, and podcaster Jen Kirkman opens at Soho Theatre tonight with her latest standup show The All New Material, Girl Tour which runs until 3 February. Musical comedy duo Flo & Joan will perform their latest show The Kindness of Stranglers also at the Soho Theatre from 12 until 14 February. And later in the month Rose Matafeo will bring her latest show Sassy Best Friend, which I reviewed in August, to the same venue for a week long run from Monday 19 February.
The Vault Festival is underway in London. Half of the shows are by women. Here are just a few of them:
Double Infemnity, a stylish and gender-flipped crime noir, runs from 31 January until 4 February at 6pm, with a matinee on 3 February at 3pm
Bad Luck Cabaret showcases the best in alternative cabaret on 31 January at 6.10pm
WHITE by Koko Brown (who we interviewed), about identity, blending spoken word and vocal looping, is on 4 February at 3.15pm and 6.15pm
Mission Abort by Therese Ramstedt tells the story of one woman’s actual experience of abortion on 7 and 8 February at 6.15pm
Assmonkey: In Conversation, an honest, interactive and upfront comedy about anxiety, depression and wanking, runs from 7 until 11 February at 7.45pm
Elsa, a musical comedy that asks why we seek happiness elsewhere runs from 14 until 18 February at 6.15pm
The Vagina Dialogues, “feminist, humorous, grotesque and a bit nude in its approach”, runs from 14 until 18 February at 7.45pm
Amy Conway’s Super Awesome World, that explores, through the prism of gaming, what depression is like and what it is like to fight it, runs from 21 until 25 February at 6pm
ZINA, a radical exploration of female sexuality in its myriad forms, and the relationship between sex and religion, lust and convention, runs from 21 to 25 February at 9.30pm with a matinee on 24 February
Good Girl, a bold, provocative and darkly comic coming-of-age tale that interrogates the experience of a young girl growing up in the 90s, runs from 28 February to 4 March at 9.30pm, with a matinee on 3 March at 5pm
Foreign Body by Imogen Butler-Cole, about hope, healing and forgiveness after sexual assault, runs from 7 until 11 March at 6pm
Unburied by Hermetic Arts, a folk horror mystery, unearthed from our cultural past, runs from 7 to 11 March at 6.05pm
Pecho Mama‘s are presenting a gig-theatre show, Medea Electronica, at the Ovalhouse from this Tuesday until 10 February and are offering a 241 discount code for the first two nights to our readers with the code ELECTROFWORD. Medea Electronica is a compassionate and feminist re-telling of Medea, set in the 1980s, to a live soundtrack.
The Host, which tells the story of a Syrian refugee who has recently moved to the UK and the impact of his arrival on a local family will be running at St James’ Church, Piccadilly from 1 until 3 February alongside a major art installation from artist Arabella Dorman.
A new musical will be at the Palace Theatre, Manchester, on Wednesday 6 and Thursday 7 February as part of Queer Contact Festival 2018. Dancing Bear is a celebration and exploration of the joys and struggles between faith, sexuality and gender identity. The show will have integrated audio description and BSL interpretation but as far as I’m aware no captioning – it’s great that there are some accessible elements; there should be more of this kind of thing.
It’s Not Cute Anymore runs from 6 until 10 February at Theatre503 in London. The one-hour long play explores themes of loss, entitlement and friendship as well as the dignity and relief that can come from giving up on your dreams.
HOME in Manchester will be hosting a three-part large-scale fiction film installation, The Scar, by Noor Afshan Mirza and Brad Butler from 10 February until 2 April. It weaves together conspiracy, gangster, noir, politics, crash theory, fantasy and documentary into a disrupted narrative and genre exploration that ignites a gender revolution. Noor Afshan Mirza comments: “Inhaling patriarchy and exhaling wo(fem)inism, The Scar has definitely been the most ambitious, challenging and inspiring project for me as an artist.”
Hear Me Raw will be at Arcola Theatre from 12 to 24 February. In an autobiographical story, Daniella Isaacs peels back the Instagram filter to reveal the dirty truth behind clean living.
Duckie Family Legacy is at Rich Mix in London on Saturday 17 February from 8pm until 3am. It will be exploring the roots of Queer People of Colour and the legacy they have left and continue to leave, behind. Redressing the misconception that People of Colour have no LGBTQ+ history of their own. Family is a QTIPOC centred event originated and co-curated by Kayza Rose and Campbell X.
BeautifuL is a new dance theatre work by Sweetshop Revolution encompassing movement and text, exploring love and sexuality from the point of view of women and will be at Hackney Showroom on Thursday 22 and Friday 23 February.
And lastly, Funny Women have announced the Top 10 comedy shows as seen and voted for by the public in 2017. Three shows will go forward to the final which is in London on Monday 12 March.
Image one is of Flo & Joan. Their faces are side-by-side and they both look seriously straight into the camera. There is a pink background behind them.
Image two is of Symoné who will be performing at Duckie Family Legacy. They lie on their back with both legs up in the air. They twirl a hula hoop around one foot. Their eyes are closed and they’re smiling. They wear pink hot pants, fishnet tights, sparkly socks and a gold bra top.