Kirsty Folan has been devouring Kate Nash’s latest album Yesterday Was Forever, an experimental affair with nods to previous albums Made Of Bricks and Girl Talk
Sarah Wilson revisits the messy hinterland of Kate Nash’s debut album and examines its legacy, both for the young girls who grew up with it and for Nash
Kate Nash first entered public consciousness in 2008 with her keyboard led tale of a relationship gone bad, 'Foundations'. Since then she has taken up the bass guitar and is embracing her inner angry grrrl. Hayley Foster da Silva salutes the punk attitude evident in Girl Talk
'Foundations' is dramatic and evocative in a way unmatched by much of Kate Nash's material since but her recent move even further away from it signifies her independence and willingness to take creative risks