BFI Film Festival: Lingui, The Sacred Bonds Pippa Sterk·29 October 2021Pippa Sterk finds the Chadian drama rich in its exploration of family and body politicsFilm & TV·0 Comments·1
Throwback Thursday: The Watermelon Woman Pippa Sterk·20 November 2020A new monthly thread looks back at classic films through a modern lens Film & TV·0 Comments·0
Wicked Winters: production company with a difference Alessia Galatini·3 November 2020Novelist and filmmaker Jade Winters talks to Alessia Galatini about her exciting journey from a romance novel writer to a crime film directorFilm & TV·0 Comments·0
New Nigerian film For Maria Ebun Pataki breaks the silence Alessia Galatini·28 October 2020Unspoken, unseen and unforgiving: we need to talk about postpartum depression Film & TV·0 Comments·0
The hypocrisy of the Cuties controversy Antonia Louisa Georgiou·28 September 2020Antonia Louisa Georgiou argues that, while the voyeurism of Cuties’ trailer repulses viewers, male directors are getting away with far worseFilm & TV·0 Comments·0
They asked me to play the maid, so I got myself on Forbes Alessia Galatini·5 July 2020Alessia Galatini interviews Rose Hulse, CEO of ScreenHits TV, about diverse opportunities and racial injustice in trying to access decision-making positions in the mediaFilm & TV·0 Comments·0
Queen and Slim is no Bonnie and Clyde Ashleigh Riseley·22 March 2020Ashleigh Riseley praises Matsoukas’s feature debut and her homages to the African-American communityFilm & TV·0 Comments·0
Fringe! Queer Film Festival: once upon a time in drag Sojourner McKenzie·4 December 2019Sojourner McKenzie is fond of Chris Moukarbel’s documentary, Wig, and its effort to explore drag’s past, present and futureFilm & TV·0 Comments·0