Gemma Varnom takes a second glance at Black Mirror's '15 Million Merits' and 'White Bear' episodes and wonders if we are inching ever closer to the horrifying and oppressive society they depict
Emily Hoyle reports on the slow progress made regarding women's representation on TV panel shows generally, nearly a year after the BBC acted on recommendations to boost women's presence on screen
Channel 4 describes Viktoria Modesta as "inspiring, unique and very hot" with "a difference that sets her apart from the idealised form of a pop artist". Gemma Varnom asks, can a disabled performer only be noticed or valued if her performance centres on her apparent otherness?
Channel 4 describes Viktoria Modesta as "inspiring, unique and very hot" with "a difference that sets her apart from the idealised form of a pop artist". Gemma Varnom asks, can a disabled performer only be noticed or valued if her performance centres on her apparent otherness?
Kate Bonynge looks at the third series of BBC3’s Some Girls, a comedy about three 18 year olds that marks a change from the male dominated programmes we’ve come to expect
Kate Bonynge looks at the third series of BBC3's Some Girls, a comedy about three 18 year olds that marks a change from the male dominated programmes we've come to expect
Some important feminist-related and intersectional news/commentary this week, including Disabled People Against the Cuts' open Letter after the 8 December High Court ruling against their challenge to the closure of the Independent Living Fund
Amelia Handy muses on the aspirational formula behind The Apprentice and argues that quotas recommending the 'add-woman-and-stir' recipe to companies are not good enough when we have an economic system that values profit over people
Ailsa Bristow looks at the second season of Masters of Sex and finds an approach to sexual awareness that is unashamedly political and unafraid of challenging viewers
Stephanie Phillips enjoys rare footage on The Culture Show's Girls Will be Girls episode but is left wanting more than talk of fashion, women's sex appeal and lingering concerns over the survival of the female punk spirit
Following on from Sara Yasin's retrospective look back at Dawson's Creek, Melissa Dunne revisits The X-Files and discovers a few feminist sticking points