Itala Attieh finds Shurooq Amin's new exhibition We'll Build This City on Art and Love provocative and powerful, as it explores and challenges the position of women in Kuwait and the wider Middle East
I stood back and looked at the board. Over fifty names. After the first fifteen I'd started to worry, at twenty-five I was stressed and by the end frustrated beyond belief. Over fifty names.
Swedish singer-songwriter Jenny Wilson has spoken of a longing to make music that "talks straight to the stomach". Marta Owczarek listens to her latest album and finds a sound that is decidedly more aggressive than her previous work
At the British Museum's shunga exhibition, Sarah Jackson discovers that the fantasy world of Japanese erotic art has a more relatable sense of fun than modern pornography
Is this a clever twist on daily chores or is it class pornography? Britain's first solo exhibition of Mierle Laderman Ukeles' earlier work makes an uncertain impression on Abbi Davey
Quietly radical and joyfully frustrated, Lebanese abstract artist Saloua Raouda Choucair finally gains a new audience with her first major solo exhibition. Nikki Hall thinks it's about time too
Although Shoshana Devora looked forward to participating in Silver Action, an artwork involving the discussions of older feminists, she was disappointed by unexpected restrictions and lack of engagement
"Who takes care of our stories?" Holly shares the first music video from The Knife in six years: a film by visual artist Marit Östberg, focused on images of queer bodies and sexualities and consisting of "a network of fates, fears, cravings, longings, losses, and promises"