I’d like a child one day, but not instead of a life Madeleine Feeny·23 May 2022Audrey Diwan’s unsparing abortion drama "Happening" offers a chilling vision of the traumas that could become commonplace when abortion rights are in danger of being revokedFilm & TV·0 Comments·1
Finest of the Flare 2022 Pippa Sterk·23 May 2022Pippa Sterk rounds her favourites from this year's BFI FlareFilm & TV·0 Comments·1
Titane: a hell-bent ride Katie Hogan·14 January 2022Katie Hogan is struck by the disturbing and powerful symbolism that earned Ducournau a Palme D’OrFilm & TV·0 Comments·1
Last Night in Soho: a fine line between pastiche and cliché Madeleine Feeny·2 December 2021Edgar Wright’s gory dive into 1960s Soho through a fashionista’s eyes spotlights historic crimes but is overall a blunt instrumentFilm & TV·0 Comments·1
Petite Maman: In conversation with Céline Sciamma Alessia Galatini·17 November 2021The F Word meets with the French auteur to discuss her upcoming filmFilm & TV·0 Comments·1
BFI Film Festival: Lingui, The Sacred Bonds Pippa Sterk·29 October 2021Pippa Sterk finds the Chadian drama rich in its exploration of family and body politicsFilm & TV·0 Comments·1
BFI Film Festival: Rehana Madeleine Feeny·21 October 2021Madeleine Feeny reviews the Bangladeshi film about the loneliness of whistleblowing Film & TV·0 Comments·1
Annette: surrealism does not extend to gender roles Ellen Thomas·6 September 2021Ellen Thomas questions why abusive men continue to occupy the spotlightFilm & TV·0 Comments·0
The World to Come: an interview with director Mona Fastvold Alessia Galatini·23 July 2021Does the recent surge in queer films make it any easier for filmmakers wanting to tell LGBTQ stories?Film & TV·0 Comments·0
Planting Korean seeds on American soil Allie Liu·9 June 2021Allie Liu explores Minari’s themes of sacrifice and family life and how they reflect back on her own experienceFilm & TV·0 Comments·0
What Nomadland teaches us about living life without a plan Allie Liu·4 June 2021Allie Liu analyses the quiet revolution of this year’s Best PictureFilm & TV·0 Comments·0
The 8th has a clear message: empathy Ashleigh Riseley·21 May 2021Ashleigh Riseley reviews the new documentary on the history of Ireland’s abortion rightsFilm & TV·0 Comments·0
BFI Flare: Tove Lucy Clarke·10 April 2021Alma Pöysti’s brilliant performance can’t save Tove Film & TV·0 Comments·0
BFI Flare 2021: highlights Pippa Sterk·6 April 2021Pippa Sterk reviews her favourites from London’s iconic LGBTIQ festivalFilm & TV·0 Comments·0
BFI Flare: Cowboys Alessia Galatini·23 March 2021Anna Kerrigan’s LGBT revisionist Western is a much-needed infusion of tendernessFilm & TV·0 Comments·0
With Malcolm & Marie, nothing is black and white Jenna Kirby·24 February 2021Jenna Kirby dives deep into the exhausting rawness of Levinson’s latest releaseFilm & TV·0 Comments·0
Cocoon: portrait of a slow transformation Pippa Sterk·17 February 2021Pippa Sterk interviews director Leonie Krippendorff about her new featureFilm & TV·0 Comments·0
How many more promising young women are we willing to sacrifice? Alessia Galatini·2 February 2021The latest release by Emerald Fennell is an exercise in gaslighting that stabs you in the back Film & TV·0 Comments·0
