With Malcolm & Marie, nothing is black and white Jenna Kirby24 February 2021 Jenna Kirby dives deep into the exhausting rawness of Levinson’s latest release... Film & TV0 Comments 0
Cocoon: portrait of a slow transformation Pippa Sterk17 February 2021 Pippa Sterk interviews director Leonie Krippendorff about her new feature... Film & TV0 Comments 0
How many more promising young women are we willing to sacrifice? Alessia Galatini2 February 2021 The latest release by Emerald Fennell is an exercise in gaslighting that stabs you in the back ... Film & TV0 Comments 0
Tragedy in the Garden of Eden Carmen Walker-Vazquez19 January 2021 Pieces of a Woman is a destructive tale weighed down by its own symbolism... Film & TV0 Comments 0
The Prom: too much and not enough Pippa Sterk29 December 2020 Pippa Sterk is disappointed by the marginalisation of the main queer storyline in Ryan Murphy’s latest release... Film & TV0 Comments 0
Against the Tides doesn’t quite turn the tide on the disablist discourse Antonia Louisa Georgiou15 November 2020 Antonia Louisa Georgiou reviews the new documentary on British marathon swimmer Beth French... Film & TV0 Comments 0
New Nigerian film For Maria Ebun Pataki breaks the silence Alessia Galatini28 October 2020 Unspoken, unseen and unforgiving: we need to talk about postpartum depression ... Film & TV0 Comments 0
Why was this needed? Pippa Sterk21 October 2020 Pippa Sterk offers her take on the 2020 adaption of The Boys in the Band ... Film & TV0 Comments 0
New British horror makes vampirism the new domesticity Alessia Galatini17 October 2020 Alessia Galatini interviews the director and producers of Rose: A Love Story, which premiered at BFI London Film Festival... Film & TV0 Comments 0
Shouldn’t we all be Greta? Alessia Galatini16 October 2020 “I am Greta” is a raw glimpse into the life of the climate change activist... Film & TV0 Comments 0
The hypocrisy of the Cuties controversy Antonia Louisa Georgiou28 September 2020 Antonia Louisa Georgiou argues that, while the voyeurism of Cuties’ trailer repulses viewers, male directors are getting away with far worse... Film & TV0 Comments 0
A new era for the dance movie Pippa Sterk26 August 2020 Why there is more behind Netflix's latest trend than a cliched plot... Film & TV0 Comments 1
Did yet another movie forget about intersectionality? Ashleigh Riseley10 May 2020 Ashleigh Riseley is disappointed by Misbehaviour’s unwillingness to offer black women the centre stage ... Film & TV0 Comments 0
Exploring one’s complex reality Alessia Galatini19 April 2020 Alessia Galatini listens to Haifaa al-Mansour breaking down her second feature shot in Saudi... Film & TV0 Comments 0
Queen and Slim is no Bonnie and Clyde Ashleigh Riseley22 March 2020 Ashleigh Riseley praises Matsoukas’s feature debut and her homages to the African-American community... Film & TV0 Comments 0
Abuse is the real invisible monster Alessia Galatini1 March 2020 Alessia Galatini is terrified and intrigued by the latest adaptation of The Invisible Man... Film & TV0 Comments 0
Who’s the real uncut gem? Olivia Neilson28 February 2020 Despite the critics’ roars, Olivia Neilson is not impressed by the Safdie brothers’ treatment of Uncut Gems co-star Julia Fox... Film & TV0 Comments 0
Gender-swapped sexism is not as edgy as it wants to be Jonathan Sanderson26 February 2020 Jonathan Sanderson is disappointed by the failed potential of the Black Christmas reboot... Film & TV0 Comments 0
