Against the Tides doesn’t quite turn the tide on the disablist discourse Antonia Louisa Georgiou·15 November 2020Antonia Louisa Georgiou reviews the new documentary on British marathon swimmer Beth FrenchFilm & TV·0 Comments·0
New Nigerian film For Maria Ebun Pataki breaks the silence Alessia Galatini·28 October 2020Unspoken, unseen and unforgiving: we need to talk about postpartum depression Film & TV·0 Comments·0
Why was this needed? Pippa Sterk·21 October 2020Pippa Sterk offers her take on the 2020 adaption of The Boys in the Band Film & TV·0 Comments·0
New British horror makes vampirism the new domesticity Alessia Galatini·17 October 2020Alessia Galatini interviews the director and producers of Rose: A Love Story, which premiered at BFI London Film FestivalFilm & TV·0 Comments·0
Shouldn’t we all be Greta? Alessia Galatini·16 October 2020“I am Greta” is a raw glimpse into the life of the climate change activistFilm & TV·0 Comments·0
The hypocrisy of the Cuties controversy Antonia Louisa Georgiou·28 September 2020Antonia Louisa Georgiou argues that, while the voyeurism of Cuties’ trailer repulses viewers, male directors are getting away with far worseFilm & TV·0 Comments·0
A new era for the dance movie Pippa Sterk·26 August 2020Why there is more behind Netflix's latest trend than a cliched plotFilm & TV·0 Comments·1
Did yet another movie forget about intersectionality? Ashleigh Riseley·10 May 2020Ashleigh Riseley is disappointed by Misbehaviour’s unwillingness to offer black women the centre stage Film & TV·0 Comments·0
Exploring one’s complex reality Alessia Galatini·19 April 2020Alessia Galatini listens to Haifaa al-Mansour breaking down her second feature shot in SaudiFilm & TV·0 Comments·0
Queen and Slim is no Bonnie and Clyde Ashleigh Riseley·22 March 2020Ashleigh Riseley praises Matsoukas’s feature debut and her homages to the African-American communityFilm & TV·0 Comments·0
Abuse is the real invisible monster Alessia Galatini·1 March 2020Alessia Galatini is terrified and intrigued by the latest adaptation of The Invisible ManFilm & TV·0 Comments·0
Who’s the real uncut gem? Olivia Neilson·28 February 2020Despite the critics’ roars, Olivia Neilson is not impressed by the Safdie brothers’ treatment of Uncut Gems co-star Julia FoxFilm & TV·0 Comments·0
Gender-swapped sexism is not as edgy as it wants to be Jonathan Sanderson·26 February 2020Jonathan Sanderson is disappointed by the failed potential of the Black Christmas rebootFilm & TV·0 Comments·0
Bombshell is heartbreaking old news Ashleigh Riseley·25 February 2020Ashleigh Riseley is moved by Bombshell and its suffocating closeup look into workplace harassmentFilm & TV·0 Comments·0
Unexciting casting but fabulous clothes Lissy Lovett·17 February 2020Lissy Lovett is drawn into the charm of a new film adaption of Emma, but wishes it had been bolder in its treatment of the source materialFilm & TV·0 Comments·0
If you look at me, who do I look at? Alessia Galatini·14 February 2020Alessia Galatini praises Céline Sciamma’s commentary on the female gaze in Portrait of a Lady on FireFilm & TV·0 Comments·0
Being a serial killer comes with high expectations Sojourner McKenzie·30 January 2020Sojourner McKenzie reviews new comedy horror A Serial Killer’s Guide to LifeFilm & TV·0 Comments·0
Not little at all Sophie Perry·16 January 2020Sophie Perry joins the standing ovation for Gerwig’s new adaption of Little WomenFilm & TV·0 Comments·0
