The recent release of Octo Octa’s latest album 'Where Are We Going?' leaves Joanna Whitehead in no confusion that the only way is up for Maya Morrison-Bouldry...
“Final Girls” Anna Bogutskaya and Olivia Howe chat to Mattie Do, first film director to ever direct a horror film in Laos, about ghosts, spirit houses and being a woman director...
February's guest blogger Helen Reid interviews the founder of the Lingerie Football League and the instigator of the petition against it, considering how the League may be damaging to women's representation in the beautiful game...
Andie Berryman talks to Evangeline Jennings of indie writing collective Pankhearst about the publishing process, America’s ‘war on women’ and the fury that drives her to write...
Asking For It author Louise O’Neill talks to Gemma Fraser about rape culture, society’s fear of female sexuality, and how it feels to be the rising star of feminist fiction...
Sophie Mayer talks to Elisabeth Subrin, director of Shulie, a 1997 shot-for-shot remake of 1967 documentary about Shulamith Firestone during her time as an art student
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Following her review of The Punk Singer, Sophie Mayer interviewed the director, Sini Anderson, via Skype for The F-Word.
I was lucky to witness another Skype i...
Catherine Bennett is the new superstar in town. The brainchild of Bryony Kimmings and her young niece Taylor, CB is a palaeontologist and pop star, aiming to ...
Marta Owczarek, who has been contributing to our music reviews section recently, watched Sandcastle during recent London International Film Festival and review...
Mariam Wallentin discusses musical influences, political causes and creative freedom in the face of the patriarchal-capitalist music industry. This is the second and final installment of Holly's two-part Q&A with Mariam the Believer. You can read the earlier part here
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