“I wanted the novel to feel haunted by the prospect of hope, without it ever being secured”: an interview with Naomi Booth
New British horror makes vampirism the new domesticity Alessia Galatini·17 October 2020Alessia Galatini interviews the director and producers of Rose: A Love Story, which premiered at BFI London Film FestivalFilm & TV·0 Comments·0
The untold story of those who disappeared Ania Ostrowska·15 October 2020Ania Ostrowska interviews the filmmakers behind "To see you again", a heartbreaking documentary about an uncovered abuse of powerFilm & TV·0 Comments·0
Rocks: a timeless yet refreshing exploration of friendship and girlhood Genevieve Richardson·3 October 2020 Let’s talk about Rocks without invoking the ambiguous marker of ‘authenticity’Film & TV·0 Comments·0
If you look at me, who do I look at? Alessia Galatini·14 February 2020Alessia Galatini praises Céline Sciamma’s commentary on the female gaze in Portrait of a Lady on FireFilm & TV·0 Comments·0
Where is Blanche when we need her? Imogen Core·8 February 2020Imogen Core discusses the lack of representation for older women in popular television and looks at the impact of The Golden GirlsFilm & TV·0 Comments·0
A decade of the female gaze: TV edition Alessia Galatini·31 December 2019Alessia Galatini rounds up the feminist binge-worthy shows of the last ten yearsFilm & TV·0 Comments·0
Is Wonder Woman a feminist? Guest Blogger·7 April 2018She might be a powerful woman who embraces her strength and physicality, but, Sharon Jagger asks, can we really call Wonder Woman a feminist? Film & TV·0 Comments·0
Circus Kathmandu: survivors of trafficking reclaim their skills Ania Ostrowska·26 March 2018Kate McLarnon, one of the directors of documentary Even When I Fall, tells Ania Ostrowska about the extraordinary journey of her subjectsFilm & TV·0 Comments·0
Amy Schumer may be privileged, but she’s allowed to feel ugly Guest Blogger·18 March 2018It’s dangerous to use a woman’s privilege to justify dismissing her feelings of being unworthy or out of place, writes Katie Jane Film & TV·0 Comments·0
“I am drawn to the fire”: Being Ruby Rich programme at London Barbican next week Sophie Mayer·15 June 2017Sophie Mayer introduces Being Ruby Rich, programme of screenings and talks celebrating feminist film critic coming to London next weekFilm & TV·0 Comments·0
“It was such a laugh!” Writer Nell Dunn in conversation Selina Robertson·7 June 2016Selina Robertson interviews Nell Dunn, novelist and the screenwriter behind Ken Loach’s first feature film Poor Cow, as the 1967 classic is re-released in cinemasLife·0 Comments·0
