Ellie Wilson explores whether Professor Marston and the Wonder Women takes too many liberties with the truth to represent real progress for polyamory on film
Our new contributor Ellie Broughton talks to Lady Macbeth producer Fodhla Cronin O’Reilly on creating a collaborative environment on set and colour-blind casting
M. Lý-Eliot recommends Maysaloun Hamoud’s In Between, the Arab-Israeli director’s controversial first feature about young Palestinian women living in Tel Aviv
Ania Ostrowska is still slightly intoxicated with the abundance and diversity of women-made documentaries at this year’s Sheffield International Documentary Festival