Emily Turner speaks with artist Rosemary McLeish about the inspiration for her art, including her feminist piece ‘What I Do When I Don’t Do The Ironing’...
Holly Black finds the stories of the tawa’if remarkable and worthwhile, though the presentation at the exhibition at the Royal Geographical Society is hard to follow...
From the experiences of young black women to depression in men via the armed forces and gendered toys, this is the first round-up of theatre reviews from the Edinburgh Fringe Festival 2015 from Megan Stodel...
The Four Fridas is a tender hymn about disability and love-song to the moving body but a poor paean of praise for the artist at its centre, Ettie Bailey-King writes...
Alicia Rodriguez appreciates the Barbara Hepworth retrospective at Tate Britain, but finds that transplanting the works into a gallery transforms their impact and meaning...
Striking, colourful and innovative, the work of Sonia Delaunay has been uncelebrated for too long; Kyra Sian reviews the retrospective at Tate Modern...
The New Collective are a group of women invited to bring their performance art to an international festival held in the UK. Megan Stodel sees a worrying sign in the refusal of their visa applications...
