Finest of the Flare 2022 Pippa Sterk·23 May 2022Pippa Sterk rounds her favourites from this year's BFI FlareFilm & TV·0 Comments·0
For shame: the fangirls of Supernatural Jessica-Rose Mills·6 April 2022We can’t have another TV show, or another generation, demonising young female enthusiasm, argues Jessica-Rose Mills Film & TV·0 Comments·0
The dark side of love Joseph Warne·1 April 2022In attempting to portray a dangerous stalker and murderer, You does a disservice to its representation of women, argues Joe WarneFilm & TV·0 Comments·0
Last Night in Soho: a fine line between pastiche and cliché Madeleine Feeny·2 December 2021Edgar Wright’s gory dive into 1960s Soho through a fashionista’s eyes spotlights historic crimes but is overall a blunt instrumentFilm & TV·0 Comments·0
BFI Film Festival: Rehana Madeleine Feeny·21 October 2021Madeleine Feeny reviews the Bangladeshi film about the loneliness of whistleblowing Film & TV·0 Comments·0
What Motherland gets wrong about breast cancer and why it matters Alexandra Cocksworth·2 September 2021Alexandra Cocksworth draws from her life experience to discuss media representation of breast cancerFilm & TV·0 Comments·0
Sex/Life: a problem that has no name Charlotte Barnes·27 August 2021Charlotte Barnes finds similarities between Netflix’s latest show and the seminal Feminine MystiqueFilm & TV·0 Comments·0
The World to Come: an interview with director Mona Fastvold Alessia Galatini·23 July 2021Does the recent surge in queer films make it any easier for filmmakers wanting to tell LGBTQ stories?Film & TV·0 Comments·0
Planting Korean seeds on American soil Allie Liu·9 June 2021Allie Liu explores Minari’s themes of sacrifice and family life and how they reflect back on her own experienceFilm & TV·0 Comments·0
BFI Flare 2021: highlights Pippa Sterk·6 April 2021Pippa Sterk reviews her favourites from London’s iconic LGBTIQ festivalFilm & TV·0 Comments·0
BFI Flare: Cowboys Alessia Galatini·23 March 2021Anna Kerrigan’s LGBT revisionist Western is a much-needed infusion of tendernessFilm & TV·0 Comments·0
Sweet Home: horror, desire and the action woman trope Amber Wisteria·21 March 2021The latest Netflix release subverts the impossible beauty standards of K-dramasFilm & TV·0 Comments·0
With Malcolm & Marie, nothing is black and white Jenna Kirby·24 February 2021Jenna Kirby dives deep into the exhausting rawness of Levinson’s latest releaseFilm & TV·0 Comments·0
Cocoon: portrait of a slow transformation Pippa Sterk·17 February 2021Pippa Sterk interviews director Leonie Krippendorff about her new featureFilm & TV·0 Comments·0
Jill and the female carer Pippa Sterk·8 February 2021It’s a Sin doesn’t offer a recognition of care work but rather an idealisation of it Film & TV·0 Comments·0
The Duke of Hastings was raped Alexandra Cocksworth·30 January 2021Let’s unpack the strange sexual dynamics of Bridgerton Film & TV·0 Comments·0
The Wilds is a brave new world Alessia Galatini·14 January 2021Have you ever wondered what society would be like without men? Film & TV·1 Comment·0
The Prom: too much and not enough Pippa Sterk·29 December 2020Pippa Sterk is disappointed by the marginalisation of the main queer storyline in Ryan Murphy’s latest releaseFilm & TV·0 Comments·0
