Anna Dannreuther highly recommends three documentaries by women filmmakers from around the world that she caught at Sheffield Doc/Fest earlier this year
A bit disappointed that the film lost some of the original novel’s insight and subtlety, Pippa Sterk still praises THUG as evidence that cinema is changing
Emily Zinkin reports from British Film Institute’s first-ever summit for professional women in film, who dissected #timesup, performative wokeness, diversity in criticism and the death of the “strong female character” among other things
Our new contributor Ellie Broughton talks to Lady Macbeth producer Fodhla Cronin O’Reilly on creating a collaborative environment on set and colour-blind casting
M. Lý-Eliot recommends Maysaloun Hamoud’s In Between, the Arab-Israeli director’s controversial first feature about young Palestinian women living in Tel Aviv
Ania Ostrowska is still slightly intoxicated with the abundance and diversity of women-made documentaries at this year’s Sheffield International Documentary Festival