Katherine Wootton is blown away by new writing, Drag King Richard III, that explores trans experiences through Shakespearean dialogue and manages to get it just right
Charlotte Rowland finds dutiful and doubtful Ophelias mercifully far from sight in the Royal Shakespeare Company's rousing revival of The Roaring Girl, the first in a season of plays placing women in the spotlight
New play Handbagged, about the two of the most prominent British women of the 1980s, was written and directed by women and boasts a majority woman cast. Lissy Lovett finds it to be a breath of fresh air