Becky Kukla thinks that The Love Witch’s kitsch and technicolour style and insightful view of sexuality, feminism and gender in our world today make the film an instant classic...
Agata Ostrowska enjoys the eeriness of Shira Geffen's new film, to be screened during the upcoming London Israeli Film and Television Festival (11-21 June)
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Desiree Akhavan talks to Sophie Mayer about studying with Ira Sachs, getting real about onscreen sex and why we need more selfish female protagonists
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This is a guest post by Selina Robertson. Selina is a freelance film programmer and writer, curating queer film programmes in the UK and at international film f...
BFI London Film Festival opened on Wednesday and I am offering you a very subjective preview by Sophie Mayer, who is is currently writing Political Animals: The...
With a record-breaking number of female directors represented at this year's festival, Sophie Mayer offers a feministly subjective 'What to see' guide
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WARNING: this post includes numerous links to Wikipedia pages with feminist film content
Have you ever looked up your favourite film online and found... abso...
Celluloid Ceiling: Women Film Directors Breaking Through, edited by Gabrielle Kelly and Cheryl Robson, is the latest title in the Women and the Arts series from...
Marta Owczarek, who has been contributing to our music reviews section recently, watched Sandcastle during recent London International Film Festival and review...