Finest of the Flare 2022 Pippa Sterk·23 May 2022Pippa Sterk rounds her favourites from this year's BFI FlareFilm & TV·0 Comments·0
The fetishisation or hyper-sexualisation of lesbians and queer women Rebecca Rogerson·5 March 2022Rebecca Rogerson explores how the hyper-sexualisation of same-sex attraction affects the everyday experience of queer women, and why ‘queer friendly’ settings don’t always prevent thisLife·0 Comments·0
The World to Come: an interview with director Mona Fastvold Alessia Galatini·23 July 2021Does the recent surge in queer films make it any easier for filmmakers wanting to tell LGBTQ stories?Film & TV·0 Comments·0
BFI Flare 2021: highlights Pippa Sterk·6 April 2021Pippa Sterk reviews her favourites from London’s iconic LGBTIQ festivalFilm & TV·0 Comments·0
BFI Flare: Cowboys Alessia Galatini·23 March 2021Anna Kerrigan’s LGBT revisionist Western is a much-needed infusion of tendernessFilm & TV·0 Comments·0
Cocoon: portrait of a slow transformation Pippa Sterk·17 February 2021Pippa Sterk interviews director Leonie Krippendorff about her new featureFilm & TV·0 Comments·0
Jill and the female carer Pippa Sterk·8 February 2021It’s a Sin doesn’t offer a recognition of care work but rather an idealisation of it Film & TV·0 Comments·0
The Prom: too much and not enough Pippa Sterk·29 December 2020Pippa Sterk is disappointed by the marginalisation of the main queer storyline in Ryan Murphy’s latest releaseFilm & TV·0 Comments·0
Happiest Season can be both silly and a revolution Alessia Galatini·24 December 2020Alessia Galatini ponders why the LGBT community tends to hold queer films to a higher standard than mainstream fare Film & TV·0 Comments·0
Throwback Thursday: The Watermelon Woman Pippa Sterk·20 November 2020A new monthly thread looks back at classic films through a modern lens Film & TV·0 Comments·0
Wicked Winters: production company with a difference Alessia Galatini·3 November 2020Novelist and filmmaker Jade Winters talks to Alessia Galatini about her exciting journey from a romance novel writer to a crime film directorFilm & TV·0 Comments·0
Why was this needed? Pippa Sterk·21 October 2020Pippa Sterk offers her take on the 2020 adaption of The Boys in the Band Film & TV·0 Comments·0
Throwback thursday: Priscilla Queen of the Desert Pippa Sterk·1 October 2020A new monthly thread looks back at classic films through a modern lensFilm & TV·0 Comments·0
Make Up: sexuality, monsters and caravans Olivia Neilson·17 September 2020Olivia Neilson is struck by the powerful queer allegory of Oakley’s feature debutFilm & TV·0 Comments·0
“Your life is either defined by the system or by the way you defy the system” Alessia Galatini·6 August 2020Netflix documentary Disclosure explores trans representation in mediaFilm & TV·0 Comments·0
The unapologetic queerness of She-Ra Sophie Perry·19 June 2020Sophie Perry appreciates season five’s spotlight on queer creativity Film & TV·0 Comments·0
“Hollywood” is not for straight white people: deal with it Alessia Galatini·21 May 2020Alessia Galatini pushes for Netflix’s latest release to get the recognition it deservesFilm & TV·0 Comments·0
If you look at me, who do I look at? Alessia Galatini·14 February 2020Alessia Galatini praises Céline Sciamma’s commentary on the female gaze in Portrait of a Lady on FireFilm & TV·0 Comments·0
